Related to: 'Q&A with Elly and Keith Walters'

Quercus

The Dark Angel

Elly Griffiths
Authors:
Elly Griffiths

Quercus

The Blood Card

Elly Griffiths
Authors:
Elly Griffiths

On the eve of the Queen's coronation, DI Stephens and Max Mephisto uncover an anarchist plot and a ticking bomb at the same time as solving the murder of a man close to them - from the author of the bestselling Dr Ruth Galloway mysteries.'Mixes cosiness and sharpness in a way that recalls the best of Agatha Christie' Sunday Express (on Smoke and Mirrors)Elizabeth II's coronation is looming, but the murder of their wartime commander, Colonel Cartwright, spoils the happy mood for DI Edgar Stephens and magician Max Mephisto. A playbill featuring another deceased comrade is found in Colonel Cartwright's possession, and a playing card, the ace of hearts: the blood card. The wartime connection and the suggestion of magic are for Stephens and Mephisto to be summoned to the case.Edgar's ongoing investigation into the death of Brighton fortune-teller Madame Zabini is put on hold. Max is busy rehearsing for a spectacular Coronation Day variety show - and his television debut - so it's Edgar who is sent to New York, a land of plenty worlds away from still-rationed England. He's on the trail of a small-town mesmerist who may provide the key, but someone silences him first. It's Edgar's colleague, DS Emma Holmes, who finds the clue, buried in the files of the Zabini case, that leads them to an anarchist group intent on providing an explosive finale to Coronation Day.Now it's up to Edgar, Max and Emma to foil the plot, and find out who it is who's been dealing the cards . . .

Quercus

The Vanishing Box

Elly Griffiths
Authors:
Elly Griffiths
Quercus

The Chalk Pit

Elly Griffiths
Authors:
Elly Griffiths
Quercus

A Dying Fall

Elly Griffiths
Authors:
Elly Griffiths

WINNER OF THE 2016 CWA DAGGER IN THE LIBRARY. When murder strikes close to home, Dr Ruth Galloway is determined to find justice - without ending up in the firing line herself. A nailbiting new adventure for fans of Val McDermid and Ann Cleeves.'One of the most cinematic finales in recent crime fiction' Daily TelegraphDr Ruth Galloway, forensic archaeologist, spends a lot of time looking at death. But now death has found her, with the news that her long-time friend and ex-colleague Dan Golding has been killed in a house fire.Ruth's grief soon turns to suspicion of arson when she receives a desperate letter from Dan, sent the day before he died. He had made a ground-breaking discovery that he was sure would change archaeology forever - and was petrified of the consequences. Ruth feels compelled to travel north to investigate further, alongside DCI Harry Nelson who is also drawn into the case. But where Ruth goes, so does her young daughter, Kate. This time, the risks are even higher.

Quercus

The House at Sea's End

Elly Griffiths
Authors:
Elly Griffiths

WNNER OF THE 2016 CWA DAGGER IN THE LIBRARY. The shadow of the Second World War looms dark over the third chilling mystery for Dr Ruth Galloway. Some buried secrets shouldn't be uncovered.'A melancholy setting, an eerie discovery, a lone investigator... perfect for the long winter evening' Financial TimesDr Ruth Galloway is called in by a team of archaeologists investigating coastal erosion on the north Norfolk coast, when they unearth six bodies buried at the foot of a cliff. They seem to have been there a very long time. Ruth must help discover how long, and how on earth they got there. Ruth and DCI Nelson are drawn together once more to unravel the past. Tests reveal that the bodies have lain, preserved in the sand, for sixty years. The mystery of their deaths stretches back to the Second World War, a time when Great Britain was threatened by invasion. Ruth thought she knew the history of Norfolk - she's about to find out just how wrong she was, and how far someone will go to keep their secrets buried.

Quercus

The Crossing Places

Elly Griffiths
Authors:
Elly Griffiths
Quercus

The Ghost Fields

Elly Griffiths
Authors:
Elly Griffiths

WINNER OF THE 2016 CWA DAGGER IN THE LIBRARY. A bullet-ridden body is unearthed from a buried WW2 plane - but the body isn't from WW2. Dr Ruth Galloway must discover who the victim was, and who put him there, in this atmospheric mystery for fans of Val McDermid and Ann Cleeves.'An almost gothic plot, involving family feuds and a crumbling stately home . . . one of the most vivid novels in a delightful series' Sunday TimesWhen DCI Harry Nelson calls Ruth Galloway in to investigate a body found inside a buried fighter plane, she quickly realizes that the skeleton couldn't possibly be the pilot. DNA tests identify the man as Fred Blackstock, a local aristocrat who had been reported dead at sea. Events are further complicated by a TV company that wants to make a film about Norfolk's deserted air force bases, the so-called Ghost Fields, which have been partially converted into a pig farm run by one of the younger remaining Blackstocks. Then human bones are found on the farm and, as the greatest storm Norfolk has seen for decades brews in the distance, another Blackstock is attacked. Can the team outrace the rising flood to find the killer?

Quercus

The Janus Stone

Elly Griffiths
Authors:
Elly Griffiths

WINNER OF THE 2016 CWA DAGGER IN THE LIBRARY. The discovery of a child's skeleton lays bare terrible secret's from Norwich's past in the second gripping mystery for Dr Ruth Galloway. A must-read for fans of Val McDermid and Ann Cleeves.'The setting is enticingly atmospheric . . . a really intelligent murder story' IndependentDr Ruth Galloway's forensic skills are called upon when builders, demolishing an old house in Norwich, uncover the bones of a child - minus the skull - beneath a doorway. Is it some ritual sacrifice or just plain straightforward murder? Ruth links up with DCI Harry Nelson to investigate. The house was once a children's home. Nelson traces the Catholic priest who used to run the place. He tells him that two children did go missing forty years before - a boy and a girl. They were never found. When carbon dating proves that the child's bones predate the home and relate to a time when the house was privately owned, Ruth is drawn ever more deeply into the case. But as spring turns into summer it becomes clear that someone is desperate to put her off the scent by frightening her to death...

Quercus

The Woman In Blue

Elly Griffiths
Authors:
Elly Griffiths
Quercus

Ruth Galloway: The Early Cases

Elly Griffiths
Authors:
Elly Griffiths
Quercus

The Outcast Dead

Elly Griffiths
Authors:
Elly Griffiths

WINNER OF THE 2016 CWA DAGGER IN THE LIBRARY. Historical crimes involving a Victorian child killer may hold the key to several contemporary deaths in this macabre outing for Dr Ruth Galloway, forensic archaeologist. Perfect for fans of Val McDermid and Ann Cleeves.'Told with a deepening sense of the unease, seasoned with a touch of the occult' Daily MailRuth has excavated a body from the grounds of Norwich Castle, which was once a prison. The body may be that of Victorian murderess Jemima Green. Called Mother Hook for her claw-like hand, Jemima was hanged for the murder of five children. DCI Harry Nelson has no time for long-ago killers. Investigating the case of three infants found dead, one after the other, in their King's Lynn home, he's convinced that their mother is responsible. Then a child goes missing. Could the abduction be linked to the long-dead Mother Hook? Ruth is pulled into the case, and back towards Nelson.

Quercus

A Room Full of Bones

Elly Griffiths
Authors:
Elly Griffiths

It is Halloween night in King's Lynn, and Dr Ruth Galloway is attending a strange event at the local history museum - the opening of a coffin containing the bones of a medieval bishop. But what Ruth finds is the body of the museum's curator lying beside the coffin. Soon the museum's wealthy owner lies dead in his stables too. These two deaths could be from natural causes but when he is called in to investigate, DCI Harry Nelson isn't convinced, and it is only a matter of time before Ruth and Nelson cross paths once more. When threatening letters come to light, events take an even more sinister turn. But as Ruth's friends become involved, where will her loyalties lie? As her convictions are tested, she and Nelson must discover how Aboriginal skulls, drug smuggling and the mystery of The Dreaming may hold the answer to these deaths, and their own survival.

A Room Full of Bones Review

A Room Full of Bones marks the fourth appearance of Elly Griffiths’s heroine Dr Ruth Galloway, forensic archeologist and resident of Norfolk. A museum curator is found dead just before a ceremony to open a recently discovered coffin containing the bones of a medieval bishop. The museum’s owner, a wealthy racehorse trainer, has received a threatening demand to return a collection of bones to the Aboriginal people from whom they were stolen; he doesn’t, and dies.

Elly Griffiths

Elly Griffiths was born in London. She worked in publishing for many years. Her bestselling series of Dr Ruth Galloway novels, featuring a forensic archaeologist, are set in Norfolk. The series has won the CWA Dagger in the library, and has been shortlisted three times for the Theakston's Old Peculier Crime Novel of the Year. Her Stephens and Mephisto series is based in 1950s Brighton. She lives near Brighton with her husband, an archaeologist, and their two children.

14 Sep
St Andrews

Philip Kerr with The Lady From Zagreb in Toppings St Andrews

7:30pm
14 Sep
St Andrews

Philip Kerr with The Lady From Zagreb in Toppings St Andrews

7:30pm
13 Sep
Stirling

Philip Kerr and Ian Rankin at Bloody Scotland

3:15pm

Philip Kerr and Ian Rankin at Bloody Scotland

13 Sep
Stirling

Philip Kerr and Ian Rankin at Bloody Scotland

3:15pm

Philip Kerr and Ian Rankin at Bloody Scotland

Jessica Cornwell talks about her inspiration for writing her new novel, The Serpent Papers.

Writing The Serpent Papers

When I set out to write a novel, the first thing I encountered in the dark recess of my imagination was a man. His name was Ferran Fons, and he was a lonely, aging, professor at a drama school in Barcelona. Fons had an office window facing the theatre across the courtyard and so he spent the majority of his day staring at an enormous poster hanging from the wall of the building. The poster featured a portrait of a beautiful young woman. Her name – I knew in a flash – was Natalia Hernandez. And very soon she was going to die. In the weeks and months following my discovery of Natalia Hernandez, I found myself writing a mystery. New characters sprang into being – the irascible Inspector Fabregat with his love of rich food and distaste for murder – tormented by the unsolved deaths of four young women, bodies tattooed with cryptic letters, tongues cut from their mouths. Next came Rex Illuminatus: a thirteenth century Majorcan mystic who hid The Serpent Papers beneath an alchemical scrawl, secreting away an ancient manuscript written in the language of witches. Anna Verco presented herself as a young, American academic whose psychic abilities and quest to find the Serpent Papers lead her into the drawing room of Inspector Fabregat… a decade after the murder of Natalia Hernandez. I had not set out to write a thriller, but suddenly I was. Not only that, but I knew, without doubt, upon finding Anna, that I was also writing a trilogy. I read and reread the Girl with the Dragon Tattoo. While making notes in the margin of Sir Arthur Conan Doyle’s A Study in Scarlet, I repeatedly returned to Wilkie Collin’s The Moonstone and the gothic novels of Horace Walpole and Mary Shelley. I wanted to write a contemporary thriller that had its roots in nineteenth century crime, so I analyzed the structure of the gothic novel, and decided that the first pulp books had evolved into vampire stories and then into serial killer narratives. I set the book in Barcelona’s gothic quarters, with its air of supernatural menace. Amidst the distinct flavor of an old, and violent, fairy tale – I saw Anna Vero driving the action forward. I loved her feminism, her single mindedness, her independence and focus, and how little she wanted to share of herself. Anna takes her lead from The Killing’s Sarah Lund, The Bridge’s Saga Norén (with whom I am completely obsessed) and Lisbeth Salander – the queens of Scandi Noir – but she’s also a very different interpretation of the genre’s damaged ‘woman detective’ or female protagonist. She blends the supernatural and the hyper-real, and in that way I think she’s quite original – and genre-bending. She also consistently surprises me, leading me on unexpected adventures into Palaeography courses at Senate House in London, the Manuscript room at the British Library, and up rocky Majorcan trails in the pouring rain. Throughout, Anna Verco remains deliciously, autonomously her own.